THE WORK
Beauty, grooming, hair, character, and editorial work for film, television, live events, music, and real life.
Hair and makeup for Shin Lim's America's Got Talent × Now You See Me promo. A cinematic, slightly editorial look built to hold up against saturated red stage lighting, LED backdrops, and broadcast camera coverage.
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FINAL LOOK
Hair and makeup for Shin Lim on the American Music Awards red carpet and press step-and-repeat. A sharp, editorial grooming pass built to survive step-and-repeat flash, purple carpet lighting, and long backstage press coverage — piecey textured hair, matte complexion, defined brow.
ON SETHair & Makeup — 2024. built for camera, not the mirror.
Nuage Magique
Editorial · Hair & Makeup · 2025 · Jeranda Godbout
An iridescent editorial built around colored gel light, wet skin, and sculptural fabric. Hair and makeup designed to amplify the surreal, cinematic tone of the stills.
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Hair and makeup for Amanda Kloots — Broadway performer, celebrity fitness trainer (co-founder of the AKT method), co-host of The Talk, and bestselling author of Live Your Life — for a long-form documentary interview. A soft, luminous beauty pass with lived-in waves, built for window light and sit-down camera coverage over an extended interview day.
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Hair and makeup for American Idol finalist Mackenzie Sol on his music video "The Other Side." A warm, intimate look built for soft natural light and close two-shots on a green velvet set.
◐ detail — complexion + finish
Hair and makeup for social media influencer Steph Landorova on a music video shoot at In Color Studios. A glossy, warm-toned beauty look — sunlit skin, feathered brows, fluttery lashes, and a berry-stained lip — built to read close-up on 6K digital in golden hour window light.
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FINAL LOOK
Key makeup and practical SFX for the short film Hopeless Vengeance. Naturalistic character looks for long dialogue coverage paired with on-set injury work — bloodied nose, split brow, and bruising built to hold continuity under industrial practical lighting.
ON SETKey Makeup & SFX — 2024. built for camera, not the mirror.
Practical Injury Studies
Short Film · SFX Key · 2025 · Confidential
Practical injury and wound work built for close-up camera coverage — lacerations and scarring across the back, fresh knuckle trauma with layered blood and bruising, and a bullet wound built with silicone transfer, entry detail, and graded blood tones. All designed to hold continuity across setups and handling.
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Character look built around hand-wound red thread wrapping the face — precision string work laid over prepped skin so the weave sits flat, catches key light cleanly, and holds continuity across dialogue coverage under warm practical lighting.
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Available for film, television, editorial, live events, beauty, grooming, character work, and hair.